Relish ... The Humanities

This is the word that I to describe the book I embarked on last night, until my eyes could no longer stay open after the string of stressful days associated with end of term and the uncertainties of non-tenure. Relish has to do with pleasure - of a taste, scent, something left behind, something loosened: it comes from release and relax. If everything must really "go to pot" - to use the favoured expression of my boarding school English teacher, her Cornwallian hair tired from over-ironing, pulled back so tight, she'd given herself a facelift - then may I at least be straight in my own mind about what my aspirations and values are.
"The time has come when lovers of the humanities everywhere must join hands in the promotion of the common cause. Vive, vale: si quid novisti rectius istis, candidus imperti; si non, his utere mecum," writes Clyde Pharr in his 1920 Homeric Greek, quoting Horace (Epistles 1:6): "Farewell and live well: if you know of any precepts better than these, be do candid as to communicate them, if not, partake of these with me."
The book, so rich in literary references before it even begins, has only fortified my conviction that pedagogy itself has gone to the dogs with the ousting of an education in the classical languages. For example, he refers to Andrew Lang's "Homer and the Study of Greek" a gorgeous, studied "essay in little" (let me betray my ignorance and admit that I do not know if the genre has a precedent - please tell me if you know), which outlines the most beautiful course for learning Homeric Greek on five levels, including its"jumping into its cadence", which, "few can hear without being lured to the seas and isles of song"; translation of passages of  moving interest with explanation; studying those words that share etymologies with English. Study of ancient Greek, Lang argues, is training of the mind, even if the language itself is forgotten later in life.
More than that, though, Lang also writes, "Greek will not make a luxuriously Asiatic mind Hellenic, it is certain; but it may, at least, help to restrain effusive and rhetorical gabble." Indeed, word economy is often more apparent when learning a new language - and all the more so when these words are so often the roots of the words we use today. Heidegger writes of the "essence" of etymologies.




But it is Pharr's book that points in all these directions. It begins with the epithet: "To love Homer, as Steele said about loving a fair lady of quality, 'is a liberal education.'" The Steele reference is from a Tatler piece, "White's Chocolate House" dating 1709. The narrow context of the reference has to do with the "nature of love" being to "create an imitation of the beloved person in the lover" which produces "good conduct in her admirer". When I grew up, anyone who was anyone was in Tatler, which had its colonial editions. So I was interested to see that the early issues of the magazine took for their motto a Juvenal reference from his Satires, meaning, "Whatever things men have done ... shall form the subject of our book."
Pharr has already done for me more than all those other books of pedagogy I still have piled up in my entryway, because it is anathema for me to discard books. It is beyond me why what I shall describe as "classical" pedagogy has been discarded by others. I assigned D.G. Myer's argument in favour of a historical reading of literature to my class, and found that a small percentage of the students missed the point, despite my teaching/illustrating for them, all year long, this very thing: someone has brainwashed them into thinking that it is very important for them to be a 'clean slate' in their learning (I shall refrain from comment). I feel like I am swimming against a very strong current - and I lack the language to call up to Odysseus or Jason for them to cast me a line, to bring me onto their vessel for safety.
Yesterday, before I embarked on Pharr's book and the reason I was up so late was because I was also trying out some online German lessons, lauded by some for their novel methodology. Personally, though very grateful for the free resource, I was rather annoyed by all of the music interludes, before which, listeners were instructed to, "relax". And the plot to keep people interested? Something eccentric, flacid, far from Lang's reasons for using Homer as the plot through which to reach ancient Greek: "Homer inevitably regards life as a battle. To each man on earth comes 'the wicked day of destiny' ... and each man must face it as hardily as he may."
That line sums up the most relaxing reading I've done since my Ruskin binge at New Year's.
Postscriptum: The title of this post is a reference to Arnold's Culture and Anarchy: "it is evident, also, that it is not easy, with our style of proceeding, to get beyond the notion of an ordinary self at all, or to get the paramount authority of a commanding best self, or right reason, recognised. The learned Martinus Scriblerus well says:—"The taste of the bathos is implanted by nature itself in the soul of man; till, perverted by custom or example, he is taught, or rather compelled, to relish the sublime." [Emphasis added.] But with us everything seems directed to prevent any such perversion of us by custom or example as might compel us to relish the sublime; by all means we are encouraged to keep our natural taste for the bathos unimpaired." Arnold, like Pharr, outlines the good work we are to do.



Stichomancy

Is there not a tension that occurs if one persists in reading, day after day, while people in the vicinity prefer to puzzle up their day differently, with talkative and tactile pieces? Surely it is the invalidation of bookish ways that provokes the prideful defense typical of the especially cosmopolitan bibliophile, so eager to brand people as "philistine."
Pesky pride: it shows that person with their head in the books was not content at failing to convey the beauty of all the contours and elevations among words. It's like true love: one can't always have a ready defense of it, it already being so much and enough, not looking to prove itself. So the wounded pride stutters: you are a philistine or pharisee if you don't see it.
Immaturity tarnishes the quest for mastery with zeal. A zeal for reading. Some people never get over it. Maybe some people need such things their whole lives because they are filling deep holes that cannot be seen. G.K. Chesterton once wrote that he didn't understand monastic life, but was sure it existed for a good reason. We are all so different, for some, abstinence comes naturally; they must find something else that is difficult. But then that is not zeal, but being in the one place that brings peace and makes sense. Zeal is jumping up and getting upset over a difference in values. Being in the right place lets things go.
Zeal is like speeding in a really fast car, believing it possible to get somewhere faster, all the while forgetting that accidents happen even on the road to mastery. The only way to hold on to clocked miles is to be sorry for the pride. This is why many who read books and travel lose the merit of distance by becoming peremptory.
"An empty mirror and your worst destructive habits, when they are held up to each other, that's when the real making begins. That's what art and crafting are. A tailor needs a torn garment to practice his expertise..."
That's Rumi, who I turned to from the uncertainty of the present, as if through stichomancy (reading passages of books, taken at hazard, technically a form of divination, but I once learned that difficult books can be read out of order, and articles read bottom to top, to be more engaging and ultimately intelligible). That's what art and crafting are.


I cut up my story again into many pieces. I let the words of the days and the years and the dreams float swingingly into a new heap.
"True seekers keep riding straight through, whereas big, lazy, self-worshipping geese unload their pack animals in a farmyard, and say, 'This is far enough.'"
Sometimes, it is enough to remember the word "seeking" to be released from any tyranny of words, thoughts, invalidation. All of the problems of this life cannot stand up to just passing through. Some find solace where they have found it since childhood days, in books. It is because of those hours of laying on the carpet beneath teak bookshelves and finding already in print one's loneliest secrets that some people feel moved to write. The idea that through sharing, a joint effort can be made to break free from the cast that would otherwise bind us.
"Be patient. Respond to every call that excites your spirit. Ignore those that make you fearful and sad, that degrade you back toward disease and death." Is excitement not in the promise of education, the humanist "liberty," ancient Greek "φιλοσοφία" - the pursuit of truth? These are the ideas that stand behind things: it is a materialist idea that casts the thing in heavy iron.
Thought and books that direct and cultivate thought are the Rousseauean canvas. And some words can clear out other words, like seek. Just like reading about history, of the mercury in the hats of yesteryear and the disease of cross-oceanic exposure, can clear the mind of worries over the current age, of unhealthy clothes and worries of disease. An integral part of life has often been constituted by these issues.
If imperfection is the beginning of art and craft, there must be relief for the writer and the reader alike. Some words are but crouching in their rows, awaiting the flight of freedom in eyes that recognise their potential. How many more choices the reader has. I wonder too how much of reading is actually stichomancy performed by memory.



Giants' Shoulders no. 59

It is my pleasure to be hosting Giants' Shoulders no. 59.
The theme I have chosen is of the Antikythera Mechanism, about which you may read more at the end of this post.
While I tried to organise the links into themes, this was only done as a rough measure to bring some structure to this post. The categories and links within them are not in any particular order. Except I put Thony Christie's first, for it was through his blog that I came to this carnival.
It is interesting to see original histsci work being done at so many levels. 
I hope my regular readers will enjoy this event - which is connected to my interest in science, if from a literary standpoint. 

*Histsci: Figures, movements
"Isaac Newton: The Last Lone Genius?" Thony Christie (Criticism of Newton’s presentation in the BBC film documentary, The Last Magician: “The young Newton did not like some Carrollian hero draw his Vorpal Blade to slay the Jabberwock of ancient Greek science but like any bright young academic would do jumped on the band wagon of modern science that was speeding full speed ahead into the future.” Great writing.
"Gopnik, Galileo and Ed Young: Galileo not admitting to being wrong" Thony Christie ([Modern] myth vs. the man.)
"Cantankerous Historian of Science Questions Whether Science Can Achieve 'Truth'" John Horgan (Interview with James E. McClellan III on the connection between modern science and pre-revolutionary France.) 
"Prime Ministers at the Royal Society" Joanna Corden (Thatcher wasn’t the only one, though she had a one-up on Churchill.)  
"Blumenbach’s Legacy in the History of Science" Roger Brisson (Known as ‘the father of scientific anthropology’ though has been forgotten; a plea to recognise an 18th century beginning of anthropology.) 
"Teaching Experimental Philosophy IV: the case of John Keill" Peter Anstey (Was he the first to teach natural philosophy experiments in a mathematical manner?) 
"Zuckerman on Toulmin on Bernal" Will Thomas (Toulmin's cosmology and Zuckerman's suspicion.)
"Alexander M. Carr-Saunders on Social Selection, Heredity, and Tradition" Christopher Donohue (Society as science, heredity vs. culture. 
Also along these lines: "Nietzsche's Marginal Children: On Friedrich Hayek" Corey Robin, market vs. politics and morals.) 
"Did scientist-critics invent operational research?" Will Thomas (Questions whether misunderstanding of nature of science caused national failure to alleviate socio-economic problems. Also see his "In Praise of Praise: How Historians Could Improve Celebratory History".)
"Saving the symmetry principle, IIIa: truth in the history of science" Michael Bycroft ("Isn't it bad practice for a historian or a sociologist of science to let questions of truth and falsity interfere?")
"Richard Feynman: Life, the Universe and Everything" Christopher Riley (The Nobel-Prize winning professor on the beauty of a single flower and love. “Anything that’s secret I try and undo.”) 
"Feynman: his birthday, his diagrams, and his lectures" Jon Butterworth (On the 95th anniversary of his birth, Feynman in the media.)
"The Art of Ofey: Richard Feynman’s Little-Known Sketches and Drawings" Maria Popova (Some of his drawings, “a surprisingly gifted semi-secret artist.”)
"Fizeau’s experiment: the original paper" (The 1849 paper on the terrestrial measurement of the speed of light.)
"Isaac Newton’s universal language" Arika Okrent (Newton’s plan to vary meaning through varying letters – which he left for someone else to develop.)
"The 10 Best Physicists" Robin McKie (Slideshow. In case anyone wants to argue over hero-making again.)
"Obituary: Joe Farman" The Telegraph (Research scientist with the British Antarctic Survey who discovered, in 1982, a “hole” in the ozone layer.)  
"Hooke, Newton and the 'missing' portrait" Felicity Henderson (Did Newton slash Hooke’s portrait? No spoilers in this tagline...) 
"Dropping in on Gottfried Leibniz" Stephen Wolfram (Leafing through the Leibniz archives: his resolve to make a ‘universal’ calculator. So fascinating: “But Leibniz latched on to base 2 as having particular significance ... binary numbers were at the core of the I Ching, which he’d heard about from missionaries to China, and viewed as related in spirit to his characteristica universalis.” The post is a must-read.) 




*History of Medicine
"A Word, Aurist" Jaipreet Virdi (History of the 19th century ear specialist. 
Also see her "Ear Trumpet in Mourning" and her "The Expulsion of 'Lewis'" on a 19th century ear-disease quack.)
"Fun with Pigs" Helen King ("The presence of pig organs" 4BC, 16th century, dissection today.)
"Coffin Collars and Cemetery Guns: Fortifying the Dead against Bodysnatchers" Lindsey Fitzharris (Running off with coffins of loved ones, and more; nice comments below the post.) 
"Haunt of the Resurrection Men: A forgotten graveyard, the dawn of modern medicine, and the hard life in 19th-century London" Kate Revilious (Our debt to the purchased bodies and crude medical procedures of that age.)  
"Teaching the Deaf in 18th century London: A tribute to Rev. John Townsend" Mick Rendell and Jaipreet Virdi (Overcoming stigma and religious rivalry.)  
"How to stay healthy with homemade remedies" Dorota Walker (Carbolic acid and cologne to soothe a toothache!) 
"The infamous Dr Foulkes: The ‘black villain’of 18th-century physic" Alun Withey (Goose dung for the eyes and notorious doctors.) 
"Stories from psychiatry’s past: 'between danger and disease'" Jennifer Wallis (Early analysis of the influence of bacteria on the brain.)  
"As a lute out of tune: Robert Burton’s Melancholy" Noga Arikha (On the 17th century book, when sadness wasn't in the mind.)  
"Miraculous Surgery or Mundane Procedure?" Rebecca Easaey (Nose jobs and the old "Indian" and "Italian" methods.)  
"The Reformation and a Recipe Book" Lara Artemis and Helen Wakely (Fascinating 15th century manuscript combining folk remedies, damaged religious iconography, and royal associations.)
"Ancient medical tools" David Allsop (Two links to large series of photos with text of ancient medical tools.)
* Women in Histsci, Medical History 
"Pain and Pearle Cordials" Jennifer Evans (Measures and men help with miscarriage.)  
"Inappropriate intimacies" Jennifer Evans (On fears of male-female touching in early modern medicine.)
"Masturbation and the dangerous woman" Lisa Smith (The 18th century Ladies Dispensatory and tales of warning.)
"Early Soviet Nursing" Susan Grant (Short history of the shift from Sister of Mercy to Red Sister to Medical Sister in a tumultuous time.)
"Elaine Morgan and the Aquatic Ape" Erika Lorraine Milam (Raising questions about history of science, feminism and methodology - the submitter of this item says is missing important questions.)
"An Unusual Case of Menstruation in Eighteenth-Century England" Lisa Smith ("Ulcers" were not what we take them for today.)

"A 'Not-Recipe': An Expression of Frustration in Medical Matters" Anne Stobart (Questions the medical recipe sub-genre where recipes trail into personal notes. Also see Sally Osborn's "All that glitters" on finding a jewellery list in a recipe book.)
 *Creams, Tins, Pie Tools, Weapons, Drugs, Compasses, Toilet Paper
"Because she is worth it" Laurence Totelin (Byzantine pharmacology and sanctitude.) 
"Secrets of the Medici Granducal Pharmacy" Ashley Buchanan (Pharmaceutical production in the 17th and 18th century at the Uffizi fonderia.)
"The story of how the tin can nearly wasn’t" Tom Geoghegan (So much went into the tin that cans – sterilisation pre-Pasteur, invention intrigue, Royal approval. The story begins in 1813.) 
"Just who is the Johanna St. John?" Elaine Leong (Lady J, the woman behind a 17th cenuty cookbook “who expressed great interest and concern in various [local] foodstuffs and homemade products”.) 
"Pie Multi-Tools" Nicola (Scrimshaw pie multi-tools at a whaling museum.) 
"'The Good Things Above': The Commercial Modernity of Vincent Lunardi" Paul Keen (How ‘neglected science’ got attention in the 18th century.)  
"Weird and Wonderful Classic: Warfare and Weapons" AnnaJ (Giant iron claws, flamethrowers, pigs!)
"Errors on Viking Sun Compass Hint at Alternative Purpose" Lisa Zyga (An 11th century instrument found in ruins of Benedictine convent in Greenland may not have been used to calculate north.)
"Advising Government: Did Isaac Newton Get It Wrong?" Rebekah Higgitt (The “correct path” and Isaac Newton’s controversial evidence on solving the longitude problem.)
"Ten Things Romans Used for Toilet Paper" Caroline Lawrence (Ten alternatives to the famous sponge-on-a-stick.) 
"We tried to weaponise the weather" Jacob Darwin Hamblin (War tactics of the past half-century.)
"Rejuvenation! Otto Overbeck and Electrotherapy" James F. Stark (On "The Rejeuvenator," an early 20th century electrical invention...)
"Mount Everest, amphetamines, and the ethics of experiment" Vanessa Heggie (Is it morally acceptable to give Sherpas drugs?)





*Magic
"Bespelled in the Archives" Lisa Smith (Continuity of magical beliefs from the 18th to the 20th century in France.) 
"Magic Isn't Rocket Science" Benjamin Breen (Rockets and Black magic in 1940's Pasadena.)
*The History of Science Invisible to the Human Eye
"X-raycrystallography at 100" Boris Jardine (Patterns: answering why blood is red, explaining evolution, and a motif in design.)
"April 1953: The other DNA papers" (podcast) Nature.com (James Watson’s and Francis Crick’s other two papers on DNA structure, and how they were received.) 
"Book Review:The Logic of Life – Francois Jacob" Jon Turney (On the ongoing story of molecular biology.) 
"Niels Bohr letters reveal trials of his time in England" Jason Palmer (Literary allegory in his letters cast light on his clash over the atom.) 
"Book Review:Agricultural Science and Mendelian System in Britain 1880-1930" Nathan Crowe (“Specifically, Charnley’s dissertation attempts to answer the question as to whether Mendelism had a positive effect on British agriculture during the first thirty years of the twentieth century.”) 
"60th anniversary of discovery of DNA Structure" JNurse (Crick & Watson’s paper on DNA's structure in Nature.)
"DNA double helix: discovery that led to 60 years of biological revolution" Adam Rutherford (Popular media reviews the history of DNA-related discoveries.)

"DNA double helix: 60 years of sexism in science"  Michael Ward (What of the woman who was partly written out of history.)
*Evolutionism, Darwin
"19th April 1882: The Death of a Hero" Richard Carter (Huxley’s praise of Darwin and an argument for his being a hero.) 
"The Mosaic of Human Origins" Erich Michael Johnson (Anatomy throws a bone in the picture of evolutionism.) 
"'My dear old friend': Darwin the man revealedas 40-year correspondence published online" The Darwin Correspondence Project (What Darwin confided to Joseph Hooker.)
"Darwin’s madness" Nsikan Akpan (Purports, to some objection in the comments, that Darwin suffered heredetary illness.)
"Otis T. Mason on Technology and the Progress of Civilization" Christopher Donohue (“The progress of human beings as mental and material, rather than physical.”) 
*The Fanciful in Science
"Making Scientific Americans" Patrick McCray (Fiction and fact in a pseudo scientific 1970’s publication aimed at an “up-scale” male public.) 
"Enlightened Monsters" Michael Saler (Frankenstein as scientific sign of modernity: automaton or autodidact?)
"Jepp, Who Defied the Stars" (Fiction excerpt. Young adult fiction inspired by the teenage dwarf jester Tycho Brahe kept.)
"Monstrous History: The “Gothic” Influence of Ambroise Paré" and "Part II" Brandy Schillace (How the medicalization of birth led to the “penny dreadful.”) 
"Merrrrdrrrre!:Alfred Jarry and Père Ubu" Alastair Brotchie (Pataphysique, “the science of imaginary solutions” – remember the umbrella that became a portico?) 
"Of Cats and Manuscripts" Emir O. Filipović (Mysterious cat paw prints discovered in a Dubrovnik Archive manuscript.)  
*Historic Machines and Popular Media
"The Mechanical Turk and Automata of the 18th Century" Cassandra Nelson (More on the mustachioed chess-playing robot: summary of Gopnik’s article, and the Mechanical Turk in literature and beyond.) 
"Da Vinci's Demons: The Serpent" Hasan Niyazi (Leonardo – on dissection, war machines, and in a popular programme.) 
"Kircher’s Cosmos: On Athanasius Kircher" Paula Findlen (On 17th century Jesuit Kircher and his connection to Rain Man, Purcell, Borges - and his writings on Sunflower Clocks, Aeolian Harps: Kircher meets the popular media.) Also on Kircher.
If you'd followed Rebekah Higgitt's coverage of Tesla memorial developments a few months back, "Plans for a Memorial to Honor Tesla" William J. Broad; "Tesla Science Center Buys Inventor's Old Laboratory For $850,000 In Wardenclyffe, New York" Frank Eltma.




*Museum Exhibits, Libraries
"History, Science and the History of Science" Emily Eggleston (Highlights from Oxford's Museum of the History of Science.)
"The History of Islamic Medicine is Revisited in London" Alison Meier (With link to the Royal College of Physicians exhibit.)
"Museum Visit: Alchemy on the Amstel: a visit to the Ritman Library" Marieke Hendrikson (Poison!)
"Going Dutch" Richard Dunn (What to see re. maritime history in the Netherlands; of 17th century Dutch Golden Age.)

"Sexology in the Wellcome Library" Lesley (Material re. Hirschfeld’s legacy and the impact of continental sexual science on British sexologists.)
*Cartography, Geography, Climate, Geology
"The climate scientist whose world spun on through war" Andy Extance (Milutin Milankovic and predictions of an ice age.)
"The Laxton Map" (17th century) 
"Oh the places you'll go: 38,000 historical maps to explore at new online library" (Self-explanatory.)
"Rediscovering Drake’s Island" Richard Dunn (A previously unnoticed painting with a history lesson.) 
"It Starts with an Earthquake" Elizabeth Angell (Historical and modern perspectives, replete with apocalyptic conclusions and clues of fault lines.) 
"History and science meet" Penny Brook (On ships' journals and climate studies: contains link to historic records/climate studies site.)
"Mary Horner Lyell: 'A Monument of Patience'" Dana Hunter (A woman geologist, and Charles Lyell's partner.)
"The Board, Bligh and Brando" Tracey Gooch (The importance of navigational timekeepers.)
"Video: Katy Barrett on Longitude: it’s not longitude that matters, it’s what you do with it that counts" (A must-watch if you've been following The Board of Longitude Project.)
"Ordinance Surveyors’ Drawings opened for reuse" Kimberly Kowal (Map records of industrialisation.)
"The Geological Society of America and its Founders – Charles Henry Hitchcock" (Geology histsci in America.)
"Michael Boym’s Flora Sinensis (1656)" Andrea Hart (On one of the earliest European works on the natural history of China, replete with botanical and zoological plates, by a Polish Jesuit missionary.) 
*Astronomy, Rocket Science
"A long-lived medieval astronomy text" John F. Ptak (Beautiful illustrations from Sacra Busto aka Johannes Halifax’s books.) 
"Picturing science: Inside a Georgian observatory" Rebekah Higgitt (A portrait reveals a glimpse into 18th century 2nd Earl of Macclesfield’s observatory.) 
"Wernher von Braun: History's most controversial figure?" Amy Shira Teitel (Nazi rocket scientist.)
"Whimsical Illustration: 1464 illustrations of comets in 'German' miscellany" (Illustration; one sticking out its tongue.) 
*Theory, Two Dissertation Reviews
"The links between science studies and British 'declinist' discourse" Will Thomas (Thoughts on changing discourse on the nature of science and the science-society relationship.)
"The Microhistorian" Francesca Mari (Microhistorians vs. Great Man History.)
"The Hope of Digital Humanities" D.G. Myers (Though not strictly connected to the history of science, this overview and consideration may be of use to GS readers.) 
"Dissertation Review: Preternatural Particulars and the Wonders of Generation" Alisha Rankin (Danish medicine 1650-1800.)
"Dissertation Review: Chinese Geology and German Imperialism" Ying Jia Tan (Begins with Richtofen, who coined the term "silk road.") 
*The Antikythera Mechanism
The mechanism has reached popular media this April: currently the subject of a televised NOVA special. Also, the Archaeological Museum in Athens has extended its temporary exhibit of the other Antikythera shipwreck finds. This Guardian article describes what the divers found at the wreck, and a selected tour of the temporary exhibit may be had here. A recommended paper is "The Cosmos in the Antikythera Mechanism" by Tony Freeth and Alexander Jones.

Giants' Shoulders no. 60 will be hosted by Thony C. at The Renaissance Mathematicus on 16 June 2013. Submission as always to the host by 15 June.



Textilis

Back in my Manhattan days, one of my circles of friends consisted of a soap star, my dearest friend who knew everyone in the '70's before growing tired of that, and an artist who got one of those high paying jobs that required even higher expenses. She left for NM, and I hear that she has really taken to the life there. This is why I am rather curious about New Mexico. And when I saw one of the unusual forms of housing almost typical of that state - namely, an 'earthship' - on the television (I read this reasonably informative article afterwards), I again recalled the end of Moon and Sixpence, where Captain Brunot describes how he, too, is an artist, though his medium, instead of being paint, was life itself:
"Evidemment, it is not exciting on my island, and we are very far from the world—imagine, it takes me four days to come to Tahiti—but we are happy there. It is given to few men to attempt a work and to achieve it. Our life is simple and innocent. We are untouched by ambition, and what pride we have is due only to our contemplation of the work of our hands. Malice cannot touch us, nor envy attack. Ah, mon cher monsieur, they talk of the blessedness of labour, and it is a meaningless phrase, but to me it has the most intense significance. I am a happy man."
Textilis or textile, of techne, is connected with work - art, structures, carpenters, and axes, though its root means simply to 'make'. I like to think of the weaving in textile to come from the network inherent at its root. Interestingly, one of the promises in Moon and Sixpence is that travelling to a different culture can give on a certain peace of mind - so work, then, is enabled by the warp and weave of geography.


As a small thing, I would often find myself being taken down the lengths of factories where weaving was still being done at huge wooden looms, and I remember that special shuttling clack, kop kun ka, kop kun ma ka. I remember, too, the old spools being cast away despite objection and finding refuge in our home. I remember the thousands of little cocoons from the silk farm, something my imagination, or memory, associates with little worm carcasses; those little cocoons always made me so sad. The silk an immensely luxurious prize, that cost a life, even if small.
One of the books that strangely came all this time and distance with me is Francois Boucher's 10,000 Years of Fashion. I have become deeply disappointed in that book for omitting South America, with all of the communication sometimes literally tied in to textile - as in the quipu, the Spaniards thought to contain numerical information. However, Boucher does write about "the vocabulary of clothing" - like armorial bearings. Even when I was a child, clothes connoted more than they do today, in this age of false luxury fueled by slave labour.
Once upon a time, clothes carried very specific messages. The geometric patterns in pre-hispanic textiles, and pottery, of Chile are the same as the Chilean geoglyphs. What message they bore, one can only wonder, but it is rather interesting to meditate upon the idea that the geoglyphs bordered the llama trails. The symbols literally woven in to the landscape. And what a landscape it was: the location of the Chinchorro mummies in the Atacama desert, the driest place in the world.
A native of that place once said of modern mining: "My grandfather was a miner. Don't tell me we need these modern sources of mining." Science is a great thing: surely it affords other ways. The same man said that the Chilean geoglyphs were being erased by cars. It seems that one cannot educate mankind fast enough to save what he already has.
And thus we come to the textile of abode. The networks we weave into or over the earth's surface. To look at the modern world is to take it for granted, as the only possible way. To look at the past or to different cultures is to be astounded at the paths that have been erased.



Good Work

The rain has been conversing with the various hard surfaces in the city this morning: metal ledges, glass windows, the pavement. And the birds seem to be singing louder than usual, as if to hear their own calls. So it may be the weather, but this recent feeling of trepidation - about earth, sustainability, poor Zenobia - bears a certain heaviness this spring, which is meant to be a time of celebration of life. My perspective keeps training off like a lazy eye.
And yet there are these ridiculously large flowers on my desk. From one-inch orbs, they now interrupt the grey window with pink. And it was with great wonder that I came upon a beautiful passage and even more beautiful introduction about learning this weekend: such are the signs of the dignified structures that may be introduced to the mind when it plays at the desert.
Sometimes I think of the mind as Newton's cradle; rocked by pomp and circumstance to the left, to the right: unable to stop itself. The ideal I strive for apparently seeks to overcome velocity - as if such movement really existed in thought. But so much understanding is actually the fata morgana built on projection. An illustration of this is the very banal example of the meddler, who has all the information about a person, but comes to the wrong conclusion. This is why I find the idea of invisible cities so appealing: beyond Calvino's fantasy, the idea that our already extant cities are half-invisible: half built on projection and expectation.
Linguists have already pointed out the high occurrence of words like 'tomorrow', 'future', and 'plan' which indicate that so much of what occupies our minds is already in the sphere of probability. I keep coming back to that moot point that this is but the displacement of man's agency: from the recent present, where the distance between production and person was short, to the future, where we live in abstractions we did not make but are man-made.
Today, large numbers of adolescents may progress automatically from undergrad to graduate with no real life experience to challenge whatever mold of ideas they then form (I am thinking of Edward de Bono's description of old ideas like jello onto which new ideas are poured, like hot water, leaving whatever jello shape in their wake). Thousands of people may share the same unfounded convictions: fata morganas build on projections.




The passage I came across that got me thinking was by humanist scholar Marsilio Ficino, with an introduction by Jane Mason, who writes of the importance, "not to get carried away by the intellectual side of studying and teaching, but to enjoy that which brings 'serenity to the soul'". This is no simple platitude or introduction if we know what an independent thinker Ficino was.
The Ficino passage is from his letters, and begins: "Let them (your pupils) study to be good rather than learned, for learning begets envy which goodness destroys. Goodness is ... also more enduring. We forget more quickly some fact which was quickly learned than we lose principles of conduct which we have attained by arduous daily practice."
My understanding of the excerpt is that while there must be 'work', the intent behind the work may be more important than the work itself. Somehow, this brings to mind the early Victorian  - was it - blacksmith, who taught himself Latin by writing the declensions in the dust of his workroom. So different from the son struggling through it just to get a promised 'seat' somewhere.
There is a way to study language to be good, if the language is taught as a medium through which one may think, not just trade at the market like glorified animals. Language, physics, engineering - it is all the same. They are either shrunk in order to be controlled, or allowed to point to higher values. Engineering may be used to imprison, but it may also be the key unlocking a land of dreams: an urban building with apartments that all receive light, each with their own terrace.
As I brushed my teeth this morning I watched a few minutes of a documentary about window-cleaners who work on skyscrapers. The host said, one way to forget the large distance between you and the floor you are cleaning is to just focus on the work. In physics, work is caused whenever a force causes displacement, like in Newton's cradle.
"The ten thousand things rise and fall without cease, Creating, yet not possessing, Working, yet not taking credit, Work is done, then forgotten. Therefore it lasts for ever." (2)